Where this comes from

Sources

Every profile here was written from the ancient texts themselves, not from a modern retelling or a mythology website. The citation at the foot of each one names the passage it came from.

Below is the whole corpus this project reads from, with the translation used for each. Not every text has been drawn on yet; the twelve profiles currently cite the first six. Nothing is written from anything that is not on this list.

All of these translations are in the public domain, which is why they could be used at all. Modern translations are still in copyright, so none of them appear here.

WorkTranslationFrom
The Homeric Hymns, Hesiod's Theogony and Works and Days, and the HomericaHugh G. Evelyn-White, 1914Project Gutenberg #348
Apollodorus, The LibrarySir James George Frazer, Loeb 1921Perseus Digital Library
Pausanias, Description of GreeceW. H. S. Jones and H. A. Ormerod, Loeb 1918Perseus Digital Library
Ovid, Metamorphoses, Books I to VIIHenry T. Riley, 1851Project Gutenberg #21765
Ovid, Metamorphoses, Books VIII to XVHenry T. Riley, 1851Project Gutenberg #26073
Homer, The IliadAlexander PopeProject Gutenberg #6130
Homer, The OdysseySamuel ButlerProject Gutenberg #1727
Euripides, Hippolytus and The BacchaeGilbert Murray, 1902 to 1911Project Gutenberg #8418
Aeschylus, Prometheus Bound and the Seven Against ThebesTheodore Alois Buckley, 1897Project Gutenberg #27458
Aeschylus, the Oresteia: Agamemnon, The Libation-Bearers, The FuriesE. D. A. MorsheadProject Gutenberg #8604
Sophocles, the seven surviving playsLewis Campbell, 1883Project Gutenberg #14484
Euripides, MedeaGilbert Murray, 1906Project Gutenberg #35451
Euripides, The Trojan WomenGilbert Murray, 1905Project Gutenberg #35171
Euripides, Iphigenia in TaurisGilbert Murray, 1910Project Gutenberg #5063
Apollonius Rhodius, The ArgonauticaR. C. Seaton, Loeb 1912Project Gutenberg #830
Pindar, The Extant OdesErnest Myers, 1874Project Gutenberg #10717
Virgil, The AeneidJ. W. Mackail, 1885Project Gutenberg #22456

The paintings

Daily Myth uses paintings that are in the public domain, sourced from Wikimedia Commons. Each one is credited on the day it appears, with its artist, its date and the collection that holds it.

What this is not

These are readings, not scholarship. The myths are ancient and they contradict each other constantly, so every profile takes one version and commits to it. Anybody who knows the material will be able to name the version it did not take.

The translations are Victorian and Edwardian, because those are the ones out of copyright. They are not the versions a classicist would reach for today.

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